Leonora Carrington

 

Carrington’s work is absolutely enchanting; each of her paintings are filled with their own complex narratives and deep mythologies that seem to have histories stretching back hundreds of years. Her work is very much tied with stories and the tradition of storytelling and mythologies, exemplified further by her many written works, and expressing them in a fantastical magical realism that imbues her works with their own lives and auras. Through playing on surreal fantasy worlds and acting out the process of creation of these worlds and ideals she is able to emulate the sense that the have existed throughout history, drawing on various cultural mythologies in order to reinvent and create new, more relevant and re purposed stories which examine the storytelling tradition, the boundless unlimited possibilities of the human imagination and our collective fascination with it whilst incorporating questions of female sexuality and identity which are usually repressed in such folkloric narratives.

 

 

 

William Burroughs: The Soft Machine

William Burrough: The Soft Machine, 1961

John Baldock

(Frieze Art Review: http://www.frieze.com/shows/review/jonathan-baldock/)

The absurd, transformative creatures and absurdities that are within Burrough’s imagination began my initial inspiration of looking at the warped ideals and aesthetics of a dystopian civilisation. The imagery of “cannibal trog women” is both fantastcial and nonsensical, yet in devolving and corrupting the human form I felt it was a fantastic way of conveying metaphors of our ideals and morals that are becoming more and more saturated in a culture of mass media consumption and aesthetic, moral and social distortions.

Dave Mckean

Dave McKean

I was drawn to McKean’s work due to its surreal and enchanting visuals, his style serves to blur the boundaries between reality and fantasy even further and his warping of imagery and the human form which we expect to recognise and understand is sinister and dangerous. McKean’s narratives are exceptionally powerful, but serve to subvert our expectations and place us in a limbo of fantastical reality. In particular I was interested in his warping of the human/female figure, with his specific use of colour and abstraction to convey emotion and the subconscious leaking into reality. His work on the graphic novel Black Orchid  with writer Neil Gaiman was especially interesting for impactful, expressive visual style and the metamorphosis of expectations.