Caitlin McCormack
McCormack’s act of creating surreal and sinister artefacts of humanity in the form of sculptural knitted decaying animals is both terrifying and intriguing. The suggestion that our humanity and as she says “bloodlines” are best recreated and remembered through the act of fabricating these creatures exemplifies a sense of attempting to rationalise human actions and natures which simply cannot exist except in an abstracted form. These forms evoke a strong reaction of dislocation whilst juxtaposingly we are inherently implicated in their creation through the very artificial human act of knitting them.